Get Your “Lampreyhead” On Today!

9 10 2018

The buzz is getting buzzier! Page reads are flying on Kindle Unlimited. Says a reviewer:

I could see this as a series on SyFy.

Starring Bruce Campbell? Swoon!

Is the reader right? Could this be sponsored by Geico?

Have a look for yourself. It’s on Kindle Unlimited or get it for free on today!

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How Strong Is Your Protagonist?

3 01 2017

Have a look at Fiction University’s checklist and find out.





Our Fascism Will Be Prettier

14 12 2016

 





I Was About To Write About Story Plots For Beginners, Then I Found This…

12 12 2016

…and it covers everything I could say. It even cites stuff I would cite.

Do you want to write a story? Have (nice guy) be pulled into getting (worthy thing), then fight (bad thing), then (worse thing), then (boss fight). The experience of doing this changes the (nice guy) by making (him) more (emotional reaction).

Provide a sidekick for emotional balance.

I’ve been sending stories out since 1989. It’s only been in the last few years that I’ve realized it is this simple. I’m plotting out my newer novel, a Space Epic with humor and body horror, using this article.





How Deep A Horror Movie Can Go

27 10 2016

I would like to do something like this in a story or a video, but how? It takes “meta” in a whole different direction.

Touch Dakota Fanning’s hotter sister for more.

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Common Things That’ll Kill You Or Maybe Inspire A Horror Story

9 10 2016

Touch the cold buffet for more.

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Unsettling Dioramas. From Canada. I Know, Right?

5 10 2016

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Have a look at Patti Normand’s work. She says her intention is to show how nature and humanity coexist with indifference, and how that creates an unsettling expectation. I note that characters make drastic choices without presentation of a context. Why the moosehead? This helps with the unsettling.

Is there a victim? Is there a criminal? Sometimes lives veer away (as in the woman fleeing the relationship in “Gone With Dear Trevor” on her website) and we cheer despite the resultant anguish of Trevor left behind, or sometimes the dinner becomes diner (see the recipe for “Lake Monster” accompanying “What Lies Beneath” the bottom image). Part of weird fiction is pulling the camera back so far that the idea is in the forefront of the emotion.

When framed in the trappings of bygone times like 1960s Ontario, the unsettling becomes even more cerebral. This is how “Stranger Things” and “Twin Peaks” and “X-Files” can take child murder and make it palatable.

I think right now horror is chasing “unsettling”. Times are pretty horrific, true.  Unidentifiable horrors and serial killer antiheroes distract us from our frightful obligations toward tribe and nation. How can the faceless or inaccessible pay for their crimes? The police are ineffective, the lawyers too smart, the Gospel too clear. Let Cthulhu, Hannibal Lector, or the rogue FBI agent handle it.

I am disappointed by contemporary society. If the evangelicals are correct, all the nice people I know are going to Hell (which should always be capitalized). If there is no God, then I am part of a failing justice.  I can’t be the only person feeling this. I’m sure this is why weird is doing so well and that low-budget horror is in another golden age.

Touch the weird stuff up top to see more, or just go here:  http://www.pattinormand.com/





Writer Advice: Tastes and Smells

27 09 2016

You can tell an experienced writer by the sensory detail. New writers concentrate on action. Over time, writers will add how things look and sound, then progress to hearts pounding against ribs and other physical sensations, then to how they taste and smell. The proper use of flavors and smells can evoke strong emotion.

I did not create these tools, as you can see. I am anxious to use these tools and will let you know what kind of response I get.

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Chewing Out From An Eyesocket Soon At A Bargain Rate

25 09 2016

and other sad fates await later this week! On the preliminary ballot for the 2014 Stoker Awards and ready for your eager eyes. Only $.99 this coming Friday.

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Listicles Can Help Writers

25 09 2016

Have you seen The Line-Up? It’s new website about noir, horror, true crime, and subjects close to my squirmy little heart. Most websites will have lists of this or that, but I find these lists on The Line-Up pleasantly surprising.

M.R. James gets respect from the more refined, but Sarah Waters doesn’t show up much. I liked “The Little Stranger”, though technically it was more a psychological gothic tale than a ghost story. Still, Waters researches the hell out of her period subjects and her descriptions did put me in the M.R. James neighborhood, which was cool seeing as she was born some decades after he died. “Hell House” is Matheson’s take on “The Haunting of Hill House” with his lurid pulpiness dripping off each page. The house’s history is delightfully over-the-top. Light chills like early King. I’m using this novel to help structure a work-in-progress.

Touch the book to see The Line-Up.

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Once you’ve had a look at the ideas, let your mind wander. Is there an idea that strikes deep in you? Is there a way to make that idea more personal to you by applying it to your life experience? Did an image appear, or a piece of dialogue, or a character from another book or movie, or anything strike you? That’s where you begin.

Anyway, finding esoterica on lists comes in handy.

Like this list for “50 Most Haunted Houses In 50 States”. Some kind soul swept together and summarized 50 ghost stories for us to read and pick over for ideas!

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What could happen if a child abuser stayed overnight in the Viullisca Axe Murder House? Or if you were the ghost on the recording in St. Vincent’s Home? Touch Spooky House to see that list.

 

 








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