This Writing Book Is Helping Apple Pie Preserves Save My Life

11 03 2021

“Woo-woo”. “Twee”. “Arty-farty”. I had a litany of dismissive syllables for Anne Lamott. Deep down, I knew she had some emotional truth. From my earliest memories as a frantically joking five year old, I did not want emotional truth. I wanted manuals on how to conquer the world.

Fifty years later, my latest endeavor, after decades of abandoned endeavors, was to become a self-publisher. Working a full-time job and writing every day, I now told myself “time to learn about Amazon marketing!” And my body said “Nope!” The next morning I woke up to my first panic attack since high school. And every morning after that.

Now I’m beyond dealing with the tumult of crappy jobs and mortality. Now I had to face that I was a collection of traits that kept people away and defeated my goals. I knew that I wanted to “do” and did not care about wanting to “be”. I knew perfection was my enemy, sure, but somehow it kept defeating me. After two decades of councilors who helped me with immediate turmoil, I had nothing left but to confront The Grand Unification Theory of My Crappy Traits.

They seem insurmountable. I’d hit the 3/4 point of my lifespan and I believed in being realistic: I was never really going to be successful at comedy or writing, or have a relationship, or even like myself much. If I could understand WHY I had these traits, I could at least die content.

Thanks to a new counsellor, I have been discovering how to be “happier” which turns out to be an emotional synonym for “being”. My definition for happiness had been very terse. The only time I ever felt truly self-accepting was during the thirty seconds I watched myself on national TV. “NOW life makes sense. This is RIGHT. Everything is IN PLACE.” I knew this was sick, but I did not care.

I rediscovered that I liked the feel of fleece. I liked being warm. I used to like drawing, but I still couldn’t hold a pencil even to doodle. I took days off to drive around, anywhere, just to be and find whatever. One day at a farmers market I found McCutcheons Apple Pie Preserves. I discovered I like them for sandwiches, cooking glaze, and as a spice. I order it by the box.

It is literally like they gutted apple pies and put the delicious entrails in jars.

I allowed myself to take days off, then weeks off, because I was sick, had been sick, and I needed to get well. I learned to talk with my emotions, not ignore them and use their starved revenants to power the treadmill.

Then at the end of a session, my counsellor handed me a sheet with the Personality Traits of Adult Children of Alcoholics. I stood, about to leave, and scanned it. Every muscle locked. Irritability. Impatience. Risk Avoidance. Problems with Emotional Intimacy. Lots more. Every thing about myself that I regretted, every mistake I made, every thing I did to make my life harder, all of it filtered through this list. Here was my Grand Unification Theory. I had a new problem now.

What is the difference between my personality and my pathology? I was irritable, I was impatient, I was hard on myself. I was funny when drunk and overly polite and ingratiating. Now I knew: no, that wasn’t me. The acquired traits made me this way. Moving around the country with only two troubled people as consistent, reliable support made me this way.

It wasn’t “who can I be?” It was “what am I?” Successful people did what I yearned to do, and they did it not out of spite, but because they love it regardless of results, just like the people who were less successful.

Some people never learn these things. Over the years, I almost died a few times not knowing.

My response was, and still is, “Damn the world. Damn me for not knowing. Damn my parents for not getting their own counseling. Damn their generations before for screwing them up.”

So there was this book, this Anne Lamott woo-woo book, which my counsellor recommended.

I’m only half way through and I’ve found it affirming and comforting.

It’s “Bird By Bird”. Lamott describes her writers life as not driven by ambitions, but by the grace of self-expression.

The book goes beyond saying “ignore your first draft” and “its okay to make mistakes”. For me, it reminded me of what is the most fun about writing: sharing with the community of smart, nice people I have met through writing.

I have been in Noble Fusion Eastern Court for almost 30 years. There are five of us and they are among my closest friends. None of us are going to achieve a literary immortality. Reading this book reminded me that success is always receding to the horizon, but the people with you on the journey are the reward.

Mistakes are made. Sometimes goals are misguided. I’m learning forgiveness and I’m hoping to make kindness a priority.





Hey I’ve Done Artsy Things! Here’s Some Advice…

2 03 2021
I had Chili with Pancakes. This has placed me in an expansive mood. It could have been A Mistake.

As stated in my bio, I’ve been published professionally and have had a novel be received to some critical acclaim. I’ve produced two movies available on Netflix (DVD only) with a clip appearing on “Americas Funniest Home Videos”. Performed sketch and improv comedy on stage. Lived a life and had some struggles. The struggles include clinical depression and anxiety, which I think I’ll write about more as I become comfortable with sharing.

So! Advice about Art! Heed me!

Go Where No One Else Goes. Try music no one else listens to. Read things no one else is reading. Try an unusual movie. It’s not just being into something “before it was cool”. It means finding ideas, plotting, descriptions, moods, to expand your expression. Conversely, if you’ve seen it before, set it aside or find a personal analog. “Why play in someone else’s sandbox?” says Darryl Schweitzer. You could write a werewolf story, or you can sift and find what scares you about werewolves, then come up with your own creation. Use what is unique to you in your work. I watched way too much TV as a child then became a video producer. Readers say that I sequence action, block characters within space, and do dialogue really well. I owe that to my education outside of writing. What do you do well?

You Are Not The Idea. You are not learning to write to turn this one idea into a story. This idea may be a bad idea. You are learning to write storiesssss. You are on a journey of continual frustration which will never end.

The Best Symbolism Is Accidental. “Go deep for the big fish” says David Lynch. I take that to mean that you can tap into deeper emotion if you work with something personal, even idiosyncratic. Every story an editor ever liked was based on my personal experience. When I tried inventing a story from whole-cloth, the plot had no tension. When I tried forcing a moral onto a story, the characters would be flat. Just write a story.

Embarrass Your Mother. I don’t know who first said “write something that would embarrass your mother” but yes, allow yourself to express something unorthodox. Three things will happen: you will discover many others already expressing that same thing; you will clarify a belief you held; or you will make an ass of yourself. You will discover your vulnerabilities and prejudices and you will survive the embarrassment. Which brings me to…

Love Your Accidents. An accident can take you in unexplored directions. If a person looks at our writing and says “I love how you did this obscure thing”, do not say “what the hell are you talking about?”. Your proper response is “yes, I particularly love that obscure thing and you are ingeniously perceptive for having noticed.” This obscure thing has a whole universe of potential behind it. Explore its possibilities. It is a surprise to you, so it will be a surprise to your audience if you maybe explored the accident further.

Keep Your Editors Close, But Keep Your Beta Readers Closer. We write for ourselves, yes, because otherwise we write mush. But when we send the stories out, choose your publications well. Cultivate a relationship with your favorite publishers. Send to them as frequently as possible. Greet the editors at conventions, remind them that you met, tell them what you liked about their recent editions. Be sincere! Editors deal with liars every day and can sense meaningless flattery. As for beta readers…they are your greatest asset and your greatest vulnerability. I have been working with my writers group for almost 30 years. They may know more about me than my family or my counselor. They have allowed me to be base, dumb, disgusting, hostile, and have coached me into writing stories people enjoy. Be gracious to beta readers! Help them as they help you! Forgetting to mention them in an Acknowledgments may turn into a flame war on File 770.com.

Remember: we are always talking to the phantoms of our expectations.