NOVEL FIRST DRAFT DONE. You Know How I’d Been Spinning Four Subplots?

19 05 2022

I landed all of them. I resolved all of them in the same, one scene.

Hell yes, I rock.

The novel is at approximately 45K words. Second draft polishing to begin tomorrow.

Casualty count: two dead, perhaps to be resurrected in a new reality. One new god, who is a Bubbling Chaos of Flesh and Consciousness in a Silver Bowl. One character reincarnated. Two new supra-powered adepts of the new god, wreaking havoc.

This is Gothic, Flesh, and Cosmic Horror with religious subtexts.

I have started collecting the names of small indie presses. At the time, I’m not bothering with agents until I get a contract.





Kij Johnson on Good Ideas

13 05 2022




More Thoughts On WIP and Magick

11 05 2022

Currently figuring out the big climax. All the characters are in one location. I realized I could resolve the Doppelgänger character by having the protagonist realize her core personal conflict. But I’ve got unwieldy cursed tumors and a near-immortal antagonist. How do I deal with them? Rather than be overwhelmed, I waited. I gave myself space and took a couple of days off.

A random listening to the “Psycho Analysis” podcast about Frankenstein gave me an idea — maybe THE idea as to how to resolve them to gruesome satisfaction.

I’m starting to look at publishers and I’m feeling my chest clench again. So, one step at a time. Get it finished first.

It’s worth mentioning that when I began this novel, and was writing from Alecsis’s perspective, I was doom- scrolling seven websites every day, several times a day. My spiritual concerns were limited to “what version of Christianity will keep me out of Hell?” I gnawed at decades-old regrets. My mind had a constant drumbeat of “must do”, “get done”, and “be more”.

At the same time, I was painfully aware that I had only one life, maybe only one opportunity at anything, and I should NOT SCREW UP. Which made mistakes and learning curves difficult.

Now, writing from Olivia’s POV, I am down to doom-scrolling only political Twitter, still several times a day, but a vast improvement. I am accepting that I do not understand myself. I relax more in the moment and do more of what I enjoy. I am comfortable that each person is their own solitary religion, picking through everything that came before. I am a more comfortable and accepting person, and am trying to forgive my mistakes and misunderstandings.

Olivia quested after meaningful goals, while Alecsi worked toward redeeming a mistake that couldn’t be undone. Olivia and Alecsi had both killed Thomas, and both had pledged to improve the world to atone. But in time, Olivia settled into accepting what they had done and making the best of her situation. Alecsi still wanted to be perfect.

I wouldn’t have tried Olivia’s POV if it weren’t for my friends in Noble Fusion Eastern Court. Life dictates Art which guides Life.

Many people I know needed to change their lives so dramatically, they changed their names to allow for that radical growth. Patty put her traumatic childhood behind her by embracing her nickname Bunny. Al put his past behind him by using his middle name Randy. Pseudonyms allow exploration of personas uncomfortable for the artist. Artists performing under their own names talk about their “stage persona”, sometimes referring to that persona as a separate being. Performers talk about how the audience expectations shape their performances, even their performing styles.

This is all kind of Jungian. The story is outside and inside, waiting. It may not be an ingenious work, but it must be told for you to grow.





Is Writing Magick?

3 05 2022

As mentioned before, I am nearing the end of my first-ish draft of “Saints of Flesh”. My primary writing group Noble Fusion Eastern Court have been impressed at how I’ve kept a lot of plates spinning in the plot. The problem now is bringing the plates together while still spinning, stacking them together, then lowering them to the floor to rest in a satisfying manner.

Some days I look at descriptions of other books and think “damn, my stuff is a bit goofy”. Then I look at other books and think “maybe my book is supposed to be a little over the tops like these guys”. I can’t honestly say that I’m writing a book that I’d want to read. I am writing the book that is there in me right now.

There are so many small press publishers out there. I am encouraged by this because having read many small press through Kindle Unlimited, I know I have a solid book. We all know the trick with small press; get a publisher with a good track record. I had been interested in one publisher with a good track record, but then they published something controversial and now have gone to ground. I passed on going to the writers’ fest in Williamsburg VA because I have nothing to market quite yet and I have a reflexive aversion to try to work into existing social groups.

The good thing here is that I do enjoy writing every day. It’s becoming easier to focus on that. Writing has been fun lo these many years, but lately I’m wondering if my subject matter is harming my outlook.

I am anxious and depressed, less so than I used to be, but still it’s something I work on. I had quite an interest in writing humor. Over the years, though, as I discovered that good writing comes from the heart, I lost a lot of my mirth. Jokes still come when I talk with people, but not so much when I write.

Jokes were my way of distracting myself and being endearing to others. Placing a distancing TV frame around everything helped my anxiety. That frame is my earliest childhood memory. So I realized that joking was not so much a choice as a compulsion. Did I choose to daydream all the time? Did I choose to create? Maybe I did.

Humor has disappointed me in these past years. My stabs at sketch comedy and movie production lost their momentum when I needed to risk my ego by going to the next level. I could go on about how comedy in the U.S. relies way too much on improvisation, and how Lorne Michaels is killing creativity, and that I don’t laugh at movies because I can see the stitching in the fabric. I’m still sussing out how I feel, but it just may be that no one makes anything quite to my taste.

Horror became a means of being outrageous with catharsis.

I’ve realized that horror reinforces my anxious view of the world. Someone said somewhere that Horror is Fantasy for atheists, and I agree with that. Is writing horror bad for my health?

A last thing I have noticed: writing is cathartic, but it also helps to process problems at a less-than-aware level. Concentrating on Alecsi in “The Flesh Sutra” reinforced a doomed romanticist perspective. In this book, Olivia is more proactive and does a mind-bending amount of personal examination and growth. These reflect my states of mind during their creation. I would like to experiment with writing a Marty Lou for the purposes of hacking my own psyche, much like Grant Morrisson did with King Mob.