Notes from today’s Noble Fusion Writers Group Meeting

6 12 2020

Notes from today’s Noble Fusion Writers Group meeting:

1) The mansion will become actual ruins to reflect scavenging by fifty years of fortune hunters.

2) The venomous Monarch butterflies will be changed to venomous locusts (good symbolism) or venomous grasshoppers (actually toxic).

3) Olivia will awaken to the devastated mansion when she senses Alecsi has disappeared, when she also discovers her keepsakes have been stolen.4) Olivia’s mummification plays very well, especially her eyes shrunken like raisins.

4) It is possible that mook/renfield Eric will now be Erica, who has a uterine tumor, which Olivia will possess and use to manipulate Erica.

5) Despite her 5’9″ frame in life, Olivia will fit into the small Victorian terrarium.

6) Allusions to formerly extinct animal species being rediscovered must be prominent in the story.

7) The difference between “thrall” and “student” must be prominent theme; “Better the God you don’t know than the Devil you do.”

8) What is Olivia’s long term goal? May include driving away with silk scarf flowing. An Audi?





Writers: Use Your Quirks and There Are Bad Ideas

24 11 2020

Been sick last year and only recently got to reading stuff again. Been noticing writers giving writing advice, and those writers having only like a few short story credits.

This is puzzling because I wouldn’t have had the temerity. Then I realized, hey, I’ve got lots of credits now and a novel that made the 2014 long list for Best Novel in the Stoker Awards.

So okay, maybe I’ve got something to say now. I’ll start with this:

Avoid what everyone else is doing. Lovecraft is now what “Cherry-Flavor” was in the ’90s: it will either be an overpowering flavor punch or not taste anything like the original cherry.

Pastiche? Create your own sandbox. (Granted, this attitude kept me from modeling on older stories, thus learning how to write using that long-accepted method). So, in thinking more about it, use pastiches as templates for your own quirks.

What is a “quirk”?

A quirk is something that affects you, even on an oddly personal level. What creeps you? What scares you? Make the list long. Let me try one:

Airports devoid of people. Only seeing the top of someone’s head behind a shop counter. Crabs, and the evidence that evolution prefers crab physiology. Rot within something otherwise healthy. Prostate or colon disease. Dementia. Not having control of yourself and cruelly rejecting a loved one. Watching a series of tragedies in someone’s life with them not knowing they are all related. Eye injuries. Home invasions (I won’t even watch home invasion movies), THIS FRIGGIN BITCH….

Look at your lists and see if anything is uncommon or even unique. Use your pastiche to add your own dismaying quirk.

Know that you have a story idea and not just a neat visual or a Revelation of Horror. A story idea will have a transformation. A story idea will have a conflict. A story idea will have someone to care about.

Most neat visuals and RoHs are the germ of a story idea. Ask “How did this happen?” Ask “What happens next?” Play with that germ. Add elements of other ideas. Add this idea to other ideas.

Push an idea beyond reasonable boundaries. Where does it become new? Where does it become horrific? When does it become ridiculous?

What would make it tragic? Of all the people you know personally, who would be the worst person to deal with this story idea?

Does the idea now give you a thrill? Write it. Someone will like it.

Can’t make the idea work? You may not be able to write the idea at this time. Or it could be a bad idea.

Something people told me: there is no such thing as a bad idea. YES THERE IS. I’ve had them. Cupid’s cousin and the Quiver of Dysfunctional Relationships is a great one-liner. I tried for years to make it work. It does not. Will it work in another story with other ideas? Been messing with it for almost thirty years, so I don’t think so. You want the idea? Take it, it’s yours.

Something people told me but I did not believe: You are in a lifelong learning process. Even if no one likes this story, it is written and out of your head so new stories can grow. Writing is like a hobby in that it is a lifelong process. Are you better than you were two years ago? Do others appreciate your work more than when you started? Those are the guideposts to use to measure your progress.

I passed my first million words after twenty years of writing, around in 2010. I have to admit that even though I got stuff published before 2010, I didn’t write anything interesting until a few years ago.





Cat Rambo’s Secret To A First Draft

18 11 2020

Some writing advice from this writer on his writing blog!

I am working on a novel (horror and its veering toward science fantasy) and making good progress on word count. I do a little less than 1000 words per two hour session, which is pretty good for a guy who hasn’t written in a couple of years.

WHAT DID I DO?

A friend told me about Cat Rambo’s advice for a first draft:

Write the first draft in Comic Sans.

I was skeptical. But after my first session, I found myself a lot more relaxed about the drafting process.

I mean, how can you be intimidated by Comic Sans?

The font takes me out of the perfectionist frame of mind and into a more spontaneous, casual attitude.

Try it. Might work.





Writers: How To Arrange Your Scenes and Structure Your Novel

20 11 2018

Do you attend writers’ conferences? I did recently…

Not a conference in my location, mind you. This was held by the Oak Park library of Johnson County, Kansas USA, a rather well-funded facility hosting a well-run symposium. There were only two lecture tracks, but one author had done panels at the 2019 SFWA Conference in Pittsburgh. Cora Carmack flew in from Austin to talk writing.

She recommends Jack Bickam’s Scene and Structure. For her, many years of figuring things out on her own clicked together after having read this book.

Here are my notes from her lecture with added explanations.

A) Story Goal

1) What will a character do to restore their self-worth (“Get things right”, “Get back to Hobbiton safe in time for elevenses”). a) Self-worth is based on self-perception. i) The character goal is to restore their perceived original values and regain control of their environment.

2) A story raises a Question  a) every event is filtered through accomplishing the Goal.

B) Cause and Effect  1) Every specified element in a story must have later purpose  2) Every effect or event must have a cause tied to an earlier element.

C) Stimulus and Response  1) Stimulus MUST BE EXTERNAL  a) action or dialogue   2) Response MUST BE IMMEDIATE   a) if the response is illogical, that illogic must be explained internally (have the character reflect that maybe it’s not the right choice, but it’s the right choice FOR THEM because [add rationalization here]).

A plot is structured STIMULUS > INTERNALIZATION > RESPONSE

D) Scenes = Building Blocks  1) State the goal of the scene (“the 3 oclock meeting was to summarize the events for the boss”), 2) Introduce conflict/opposition (“Jimmy and Helen did not agree on the ramifications”)   3) FAIL TO REACH GOAL (“Meeting left us more confused and doubtful”)  a) The scene’s goal could be met, but the Story Goal must be made more difficult

E) SCENE STRUCTURE IS DIFFERENT FROM STORY STRUCTURE

F) SCENE Goals  1) Always from POV character  2) IMMEDIATE  a) Clear goal that both      i) relates to long-term goals   ii) raises the Scene Goal

G) Conflict Development  1) IS the scene   2) MUST be about the scene goal  3) Details the Conflict

H) HOW-TOs  1) Dialogue  2) Action  3) MUST BE VISIBLE  a) Non-POV characters can only respond to sensory data (even if telepathic or magical, still counts as sensory).

I) The Scene Ends In Disaster   1) MUst be a) a Straight Denial of the Goal or  b) YES, BUT (adding a complication) or c) NO, AND FURTHERMORE YOU LOSE THIS TOO.

THE CHARACTER MUST LEAVE EVERY SCENE IN WORSE SHAPE

Before writing a scene: Set goals, arrange escalating loss, and figure how it moves the story forward.

EMOTION >> THOUGHT >> DECISION >> NEW GOAL

Introduce these elements in this order:

Setting + Protagonist + Problem + Antagonist + Conflict + Goal

###

Reading this again, it clarified a lot of things needed for my first draft in NaNoWriMo. I’m at 10K words, and while I have two POV characters (slight burden), one has a goal he is concealing from non-POV characters (more difficult), whilehaving to delineate a magic system and backstory from a previous novel (eek).

I’ve laid out the novel elements well, I think. The problem is maintaining the POVs cause-and-effect while giving each character an arc.

Oh and I’m pantsing, which means I’ll be freaking out in another 10K words as the elements have to be amended.





Writers: 20 Tips To Improve Productivity

5 11 2018

From Daily Writing Tips.

He even quotes Zelazny.





Writers: What To Do When The World Sucks? Haruki Murakami says…

2 11 2018

Click here to find out.

haruki





Trying Advertising Campaigns and BOOK TWO IS GO!

29 10 2018

I’m trying Amazon Sales Marketing to promote Lampreyhead Book Two. I have set a “per-click” budget of 22 cents per click with a limit of $100. The goal is to see if the twenty two cents brings in a purchase at $2.99. If not, I will have to change tactics, or ad copy, or maybe even venues.

The audio book is on hold until I can get the advertsingbudget established. My dayjob is in retail. I do not want to take out of savings, because I already did that to do the cover art.

So! Book Two is out!

“The action scenes are fantastic! Wow. The story really pulled me in.” – Dona Fox, Amazon horror author

Ned didn’t dare turn to look. He burst through the doors and out the back door. Sprayed the threshold.
He scooped up the bag he’d left at the door. Ran around the side of the store to the front.
Bag bouncing in left hand and squirt gun raised in his right, Ned clenched his jaw and rounded the corner to the side of the store. He slowed as he approached the next corner. He crouched and peered.
The glass doors glowed with divine light. Along the door sat several white propane tanks, obviously brought by the Banquet.
Hands at his eyes, Bogen snarled. “Let us in!”
The other three played with Don like cats with a mouse. The woman seized his face. She lifted him from his feet. She reached under her hem and produced a gleaming knife. She lowered her mouth onto his. Waggled her head in mockery of a passionate kiss as the knife came down onto his face. Don thrashed and kicked.
What do I do? I can’t let him die!
She dropped him, Don’s face black with gore. His lips seemed impossibly wide, showing blackened teeth in the blue light.
She sliced his lips off.
The rest fell upon him.
Pieces flew. Something like cloth flipped away then flopped like a wet towel.
Don’s legs kicked in electric agony.
Above the scene, a voice called in their strange, hissing language.
Atop the roof, glowing sickly yellow from the Top Tech sign, the Judas in a chef’s hat waved a white-clad arm. He thrust a white arm behind him to the roof.
The skylights!
Ned cursed himself.
The roof had a dozen skylights. Each were protected only by a grill of thin iron.
I have to shut him up!
It was easily twenty feet up to the roof. Ned didn’t remember the last time he’d leapt that high.
He set down his bag and took out the jug of holy water.
He crouched. Hesitated. Took three steps back. Cursed himself and ran to the wall. Stomped with all his strength.
Mid-air, his foot as his work shoe went flying. The jug loosened in his grip.
For a hysterical moment, the jug gurgled inches from his face. He bobbled it and thrust it above his head.
He landed on the roof off balance. His right foot slid from beneath him and he landed on his ass. The plastic jug skittered away against the tar paper.
The chef hissed again, joyful and grotesque.
His white ass pointed at Ned.
Scooping up the jug, Ned removed the cap. A beam of light shot from within. He held the jug at arm’s length.
Ned crept behind the chef. He threw the plastic bottle and ducked away.
The chef’s back exploded.
The chef screamed. He clawed at his back as the holy water savaged him. Scrabbling and twisting, he lost his footing. The chef tumbled over the edge of the building.
Ned gained a lease on his lamprey-themed, vampire-prototype life. His new handler Amanda is ready with fashion advice, business acumen, or her gun. He provides days-long orgasms to now higher-paying clients. Ned wants to bury his selfish past. Thanks to his new magic books, he resolves to fight his family of fellow prototypes, the Formulae.
When Amanda finds Evil at a big box electronics store, Ned leaps in ready to fight and get that employee discount. But the best employees disappear. Mysterious customers buy startling amounts of stuff. TVs show visions of cannibal blood-feasts. Spirits say the store is doomed.
Are the Formulae involved?
In the spirit of Clive Barker and Stephen King, Ned gets fishy. Can he save the missing employees? Save the store from massacre? Or will he just swim away with quality electronics at a low price?

Book-2-Big-Box-Pback





Amazon Review: FIVE STARS for Lampreyhead Book One!

24 10 2018

He was created to please Satan, then – abandoned. Our hero is an abominable creature who, though…

Says author Dona Fox!

Click it! Click it and read!

My romp has emotional underpinnings that may out-Herzog Herzog. If you like the idea of Herzog creating a “Buffy” episode, it seems this may be the series for you.

Find out for yourself! Click the cover to read on Kindle Unlimited or purchase it outright. It’s just in time for Halloween. Takes only three hours to read. Try it today.

Book-1-Fishtown-Pback

 

 

 

 





“The action scenes are fantastic! Wow. The story really pulled me in.”

22 10 2018

This is from esteemed horror indie author Dona Fox.

More praise for the eventually-to-be made-into-a-limited-SyFy-series-sooner-or-later “Fishtown Blood Bath: Lampreyhead Book One”.

Halloween is coming. You like your spooky stuff a little zany, action-packed, maybe a little twisted.

Over a thousand downloads from Freebooksy! Over three hundred reads on Kindle!

Get in on this and become one of the cool kids who are in the know!

Three hours to read it. Weeks to process and recover from it. Click it now!

Book-1-Fishtown-Pback





Writers: Pay For Proofreaders

19 10 2018

I’m now fixing the typos and usage problems in “Lampreyhead”.

The problems got past multiple layers of readers and software.

When professionals say you should pay for a proofreader, they aren’t kidding.

I’m quite embarassed.








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