Lovecraft’s Tricks For Writing The Impossible: You Only Know One Of Them

24 01 2023

You know which one: “OMG it’s impossible!” Well, he had other tricks and a couple caught me off-guard. This is a useful YouTube channel, so maybe subscribe.





Jordan Peele’s Advice On Writing Thrillers

22 12 2022

Another comedy writer and performer making horror. I don’t feel comfortable giving advice, but this guy knows stuff!





Wonderful News! I’m Publishing Again!

29 11 2022

How long! So long! It’s been so long since I’ve said “My novel ‘The Flesh Sutra’ made the preliminary ballot for the 2014 Stoker Awards!” I’m bringing back into ebook and print with my publisher Barbara E. Hill of Noble Fusion Press.

It shall be the third edition! The new edition will have changes incorporated which will lead into the sequel. Yes, the sequel!

I’ll walk you through the process of getting this book up and going, then all the subsequent books.

Also, didja know I wrote a campy fantasy caper novel many years ago? I put it up on this website years ago, but have since revised it. My writer friends have been enthused about that book for years and finally, guess what?

Publishing it! With Barbara E. Hill from Noble Fusion!

This is the most excited I’ve been in many moons. And I’m glad you’re here to share it. Hell, I know most of you personally, and those I don’t know have been regular visitors.

I can devote more time to this, for the time being, seeing as I am not working. I have applied for unemployment and have a financial buffer. I have cheap chain coffee places to make my office. I am working with a motivated, experienced marketing person.

I am excited that you get to be a part of this.





Tim Waggoner Writes Monsters. Here’s How!

18 10 2022

Prolific and award-winning author Tim Waggoner tells how he creates new monsters.

If I may add, I would advise taking an unsettling, compelling image you find and trying to animate it. For example, think of a garland of bright red roses. How might that be made into a monster? What would it eat? Would it crawl like a snake? Writhe through the vacuum of space?





A Horror Writing Idea Beyond My Reach

21 09 2022

Since I first read the article in 2017, I have been fascinated by YouTube marketing psychotic content to toddlers.

Did you read this article?

Something Is Wrong On The Internet by James Briddle

Or this more recent one from The Guardian?

https://www.theguardian.com/technology/2022/sep/13/unboxing-bad-baby-evil-santa-youtube-swamped-creepy-kids-content

It talks about a bad thing brewing at Google. That bad thing would make a cool story idea.

It has body horror with the increasingly disturbing, dismembered videos. It has the occult via algorithms invoking a primal force. It creates a new mythos, one where Cognition is a destructive force.

I’ll explain how I see it. It is said that capitalism taps into the fundamental human drive toward survival (simplistic, but bear with me). It is said that babies see the world most clearly, without civilizing preconceptions. YouTube is letting these two primal qualities dialogue on a planet-wide scale with the merest filter of cartoons.

What zeitgeist will result? The adult world is already dealing with Identity becoming more fluid. Is some evolutionary force now easing us into swappable heads, swappable body parts, Frozen Elsa with chicken feet, Spiderman with a brain-belly? No matter the algorithm YouTube came up with, they had to fall back to creating “war rooms” to control increasingly disturbing videos.

One perspective would ask: is this content disturbed, or are we learning that post-humanism is a natural impulse? If there is an evolutionary goal, is our goal to surpass the flesh?

A spiritual perspective would remind that ads for “The Exorcist” often accompanied these videos.

My thoughts are half-baked. But there seems the germ of an idea that *by some design*, YouTube is invoking Something lurking beyond Consciousness. This Something is as eternal and fundamental as gravity, and it works to bring humanity back to a primordial precognizance. The results would look pretty damn cool. We would watch it for hours. Lose track of time. Forget to eat.

I want to make it a short story! Dangblastfurgozzlenamchazzlegumit!

Maybe from the perspective one of the content producers. They’d get a printout every morning from their computer, an AI which assembles a script based on scraping the most recent YT search algorithms. They would be puzzled, then amused, then be appalled at the script demands. But bills gotta be paid.

I'm noticing improvements. But there has been a physical cost.




Fungus and Mushroom Monsters Are Peaking, But This Whole Thread Is Pretty Icky

22 08 2022




OKAY, REVISIONS!

2 08 2022

I received critiques of the whole novel from Noble Fusion Eastern Court. I received critiques on the first few chapters from writers on the Online Writers Workshop, plus encouragement.

Writer and OWW organizer Judith Tarr wrote: “The bones of this chapter are solid. There are some vivid and memorable images, and the story moves rapidly forward. Olivia is a strong character; her motivations are clear. There’s no question about what she wants or how she intends to get it.”

Author Kate Tyte provided useful guidance: “I feel you could make some things clearer, simpler and more obvious. I was confused by the homunculous of Olivia’s lover, for example. You have good characters and conflict, but sometimes that gets a bit lost. Gretchen wants to be cured of cancer, and maybe to get back together with her boyfriend, and to get her life together. Olivia wants to find her lover, for magical purposes. The boyfriend wants to be famous. Can you focus on making those things the focus, and very clear, and not losing sight of them?”

I am incorporating these critiques into the chapters still to be posted on OWW. I’m sending updated drafts to my non-writer friends to get their advice.

Here are two AI renderings of key images in “Saints of Flesh”. The prompt on the second one was “cancer polyp jewelry”.

experimenting with chaos magic




Writers Groups Like My New Novel Darft (Draft)

12 07 2022

Yes it does say “darft”, I’m trying to generate some whimsy here.

Because things are going quite well. Everyone is following the sequence of events and understanding the cause/effect of the “magic system”. The darft tenses shift around and I have to fix that. The big reveal is shocking! The climactic resolution? It resolves five characters — five! — in one scene! And everyone is good with it! The characters are all likable and relatable!

The main characters are women. The women who are critiquing like the woman characters! I kept their motives as sex-free and guy-free as possible, and the critics really liked that.

What they seem to like: there is no villain, just people bumbling around making mistakes; the use of unusual settings like Ren Faires; taking risks with descriptions of emotions, getting as precise in their physical affects as possible; personal quirks that aren’t eccentric (showing reliable bias towards particular flavors, styles, tastes); keeping real-life branding and signifiers out of the story (I am reminded of a National Lampoon parody of Stephen King: “Pepsi!” he screamed in terror.)

This book is such a change from the previous book. “The Flesh Sutra” is a fix-up novel episodic, gothic, nudging on erotic (meter and rhyme accidental here, that was cheesy). “Saints of Flesh” is streamlined more like a novel with lots of ghastly stuff but literally no sex.

I’m still compiling reviews, but I dunno, maybe it’ll be off to agents/editors by the end of the summer?

I want to work on flash fiction for a while.





Prepping My Beta Readers

9 06 2022

As you already know, I have two writing groups who are reviewing the first finished draft of what I’m calling “Saints of Flesh”. One group has published authors and editors, the other has extensively well-read spec fiction fans. They would seem formidable advisors for shaping my novel. Problem though: none of them are horror fans.

So I am preparing my account on Online Writers Workshop. For every piece of writing submitted, I have to review three submissions by other members. That is done and I believe I have enough reviews to cover my whole novel.

Why Online Writers Workshop? They have editors experienced in horror. I’ve been a member of this site off and on for years, and I’ve had the pleasure of reviewing early works by Nicole Cushing, who has gone on to greater acclaim. The fellow members do not seem great in numbers or high in polish, but the editors of the site review everything submitted.

I am cynical enough to tell say this may be a good networking/promotion opportunity if those editors take a shine to my novel. But I’m glad to have the work out of my head. The process of submitting/publishing seems exhausting. I haven’t even revised, after all.

Friends of mine expressed interest in reading as well.

Still struggling with the alternate denouement. The finished one lacks body horror, you see, and I think bringing that back and incorporating some story elements would bring the endeavor to a more satisfying close.

Found a new podcast’s that agreeable in aesthetics and politics: Rite Gud with Raquel S. Benedict

It’s for advanced writers with a contrarian bent. Like me, the podcast has a problem with the industrialization of spec fiction, where everything has to be a series, has to pointedly have a demographic, seems to not express but assuage.

It talks philosophy and technique. Have a look at the guest list and topics to see if you’d like it.





NOVEL FIRST DRAFT DONE. You Know How I’d Been Spinning Four Subplots?

19 05 2022

I landed all of them. I resolved all of them in the same, one scene.

Hell yes, I rock.

The novel is at approximately 45K words. Second draft polishing to begin tomorrow.

Casualty count: two dead, perhaps to be resurrected in a new reality. One new god, who is a Bubbling Chaos of Flesh and Consciousness in a Silver Bowl. One character reincarnated. Two new supra-powered adepts of the new god, wreaking havoc.

This is Gothic, Flesh, and Cosmic Horror with religious subtexts.

I have started collecting the names of small indie presses. At the time, I’m not bothering with agents until I get a contract.








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