Horror Movies for Easter

15 04 2017

Yes, a lovely spring afternoon, the eve of Easter, and one’s thoughts turn naturally to gentle bunnies. Candy, jelly beans, chocolate eggs. But not all that gentle according to Phil Brown on CGMAGONLINE.COM! Yes, from Jan Svankmajer’s ALICE to DONNY DARKO bunnies have their own dark side as well, and let us not forget WATERSHIP […]

via Bunnies Unite, Ten Top Horror Films for Easter Enjoyment — jamesdorrwriter





Writers: Your Weird Obsession Will Become Fodder For Future Grad Student Thesis

8 04 2017

“…it’s what happens in the United States when a truly radical ideology takes over.” This is George Romero’s answer to the question of what his film Night of the Living Dead is about. To me, this is a most thoughtful and complete assessment, and perhaps what explains the movie’s enduring success. Of course, on […]

via The Importance of Theme in Horror… and Zombies… and Dogshit — S.E. Casey Author





Writers: “Weird Fiction” Via Movie “The Void”

6 04 2017

First the trailer:

 

Now the review:

If Stuart Gordon’s “From Beyond” and John Carpenter’s “The Thing” were to have a baby in the hospital from “Hellraiser II”,  that baby would grow up short of its potential and  be “The Void”. I don’t mean that in an insulting way, but if you like your body horror with a dash of Weird, then “The Void” is for you.

Describing the plot is difficult because much of the backstory is revealed as the plot unfolds. Two rural guys shoot people dead, one flees and is picked up by a sheriff and taken to the local hospital. This hospital is closing soon due to a recent fire. Which killed the child the sheriff had with his ex-wife the ER nurse. Speaking of preggers, a country teen is about to give birth and her grandpa is there for support.  A kindly doctor, another nurse, a trainee, and another patient are introduced. A state trooper arrives.

Then within fifteen minutes of film time, there is a three-way guns out stand-off, four of these characters are dead and one has mutated into part Grizzly Bear, part butt polyp. Lovecraftian hijinks ensue. In a place beyond time and space, pacing is a problem in “The Void”.

There are magic tomes. There is a sub-basement where none existed before. There are strikingly-clad anonymous cultists. There are double-crosses and mistaken motives.

The plot holds together. The magic system is kept as simple as possible. The actors do great work with an occasionally awkward dialogue.  However, the effects rule this movie. The undead polyp creatures are all practical effects and they are gooshy. Gourmets of  horror movies will see “homages” to “Hellraiser II”, “The Thing”, “The Fly”, “From Beyond”, “In The Mouth Of Madness” and probably more.

Was there anything fresh? It’s a hell of a thing to note, but frankly, cutting pieces off your face doesn’t have the shock it once had.

First time script writers and directors here, they kept to the tried and comfortable, yet kept out of the actors way, so the performances were quite good. Someone once said you can tell if a horror was written by guys in his 20s, because those horrors will have churning uteruses, and that’s because guys in their 20s are just finding out how gross pregnancy can be. And man do uteruses churn in “The Void”! It’s all within the theme of birth and fate, but still dudes, there’s a reason why men have a waiting room.

Wait for “The Void” on Netflix.

Now the writing blather:

Note that I noted “homages”. I do not understand “homages”. An artist’s job is to swipe ideas and before using them, file off the serial numbers. Filing off serial numbers is an art. If a reader can immediately recognize a reference, the writer has only mimicked, and not made the most of the reader’s time.

That said, what is “Weird Horror” or “Weird Fiction”, and what can we do about it?

Here’s Wikipedia.

You will notice in Wikipedia that Lovecraft’s definition is essentially “spooky stories where spooks can get you anywhere”. Noted editor S.T. Joshi’s academic sub-categories have diluted that dread further until it has become watery Red Bull.

The problem is that back in the 1930’s, the Weird creatures invented by Mr. Weird himself H.P. Lovecraft, those creatures were unfathomable. Now they make Cthulhu plushtoys. Non-Christian monsters are the norm now.

For me,  “Weird” contains these elements:

  1. Unknown forces existing outside our dimensions (“beyond Time and Space”).
  2. The questioning of reality itself (are we in a movie? Is that crazy guy actually shaping reality?)
  3. The interrogation of how consciousness fits within reality, especially within flesh.

For me, the goal is to create nausea, not just polypy-squid nausea. Existential nausea is the feeling you get when you consider that not only will existence go on without you, it has been without you for longer than you can comprehend both before and after, in a place that is the briefest flash in existence, if indeed “existence” actually has objective substance. Hold me.

The use of a nameless cult who know The Truth, or a scientist finding The Secret, or an artist who can shape The Universe, is how we get the reader to connect with nausea. The POV character has one assumption peeled away (like the real purpose of mission), then another (that his mission is safe), leaving to fall away the rules of society, of perception, of nature, of value, then finally, of comprehension.

If you want to learn more about “Weird”, try the movies mentioned above, especially “From Beyond” and “In The Mouth Of Madness”. Also try:

  • “Resolution”, like “ITMoM”
  • “Absentia”, for critters beyond T&S

In fiction, try:

  • Any H.P. Lovecraft, especially “The Whisperer In Darkness” and “The Color Out Of Space”. They would be standard Doctor Who fare now, but that tells you something.
  • “The Grin In The Dark”, as much as he bumbles in this book, Ramsey Campbell has some really cool ideas about the development of consciousness.

Do not try “The Weird”, a compendium by Jeff and Ann VanderMeer. I love this book, but their definition spreads so far afield as to be nearly meaningless.  Read it for entertainment.

These brief lists are of media which provokes that feeling I described.

Are there books or movies that make you wonder if you are safe at all, or sane, or even exist?  TELL ME.








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