Stephen King’s Top Ten Rules For Success

23 06 2018





Writers: Get This Book!

18 06 2018

“The best selling character eats, nods, opens, closes, says, sleeps, types, watches, turns, runs, shoots, kisses, and dies….The most important thing to note is that in the best selling novel someone is doing something as dramatic as surviving or dying, and they are not, as their less-selling friends prefer, yawning.”

This is a quantitative analysis of best sellers. What best-selling characters are most prone to do. How the plots are structured. How men and women write differently. How the novels are titled. Down to percentages of “the” in best-selling text.

The book reinforces everything you may have seen in other writing books: active characters, dynamic plots, use of  arcs, etc. But for me, this book gives a concrete foundation for all of the advice.

I’m already adapting my plots accordingly. What I have taken away so far: my characters need to express “need” in detail. I tend to underwrite. I tend to think things do not need explanations. I thought I was being economical, but I’m realizing that I’m just not committing to my characters.

Writing an action pulp series is helping me to realize I need to be bolder in my choices. This book is helping me to see that this boldness will produce results.

51iC9uAMaHL._SY346_





Love/Hate In SF/F/Horror: I Like Clowns.

25 05 2018

clowns

I love a good clown. Clowns are way underrated. They have deep history, culture, and skills. I believe an individual can fear clowns, certainly. The courophobia trend in our society is drummed up hysteria and a further example of how innocent love of art is shunned. You want to see a skillful, good human being? Harpo Marx, who is the tramp, along with his brothers in the above photo.

I hate when a character who is a Jesus analog has the initials “J.C.”.  Jesse Cutler of “Preacher”. The martyr/healer/magic black man from “The Green Mile”. Lots of others I have blotted out. Yeah, Garth Ennis, it’s all blasphemy, har har. Steve, we get it…he’s really Christalicious.

I love me an innovative monster design! “The Shrike” in the Hyperion novels. The elk-thing in the movie “The Ritual”. I’ll go to Days of Knights and read AD&D modules just to say “Holy Eff this is cool.”

I hate when a story’s Hell is lifted from Dante’s “Inferno”. I tend to be a stickler for reference material, in that a writer should use all of the material or not use it at all. Even Dante says “Inferno” is an allegory and not a roadmap. I can’t take “Inferno” seriously when Dante reserved the 9th Circle for some local politician he despised.

I love a good jerk who does the right thing. I am discovering they are tough to write. What if we replaced Elric with Ignatious O’Reilly from “Confederacy of Dunces”? Maybe Stormbringer could possess O’Reilly’s book of metaphysics or his stained bedsheet?

I hate when I write a draft and find all my characters are two dimensional, like the women are sexpots, or the minorities there to add “veracity” to the setting. To fix this, I give each character her own goals and character arc. I think of a person I know who fits this character and bring my love of that person to that character. But man, that first draft makes me disappointed in myself as a human.

(You may note that I say “love of that person”. I found that when I write a character based on someone I actively hate, or who supports values I despise, that character comes out flat, irritating, and unconvincing. So far, I’d say the trick to good writing is pitting good people against each other.)

I love a good caper. I haven’t read much Donald Westlake, but man is he great! Like Westlake’s stories, I love movies where doofuses pull together for the prize (“It’s A Mad Mad Mad Mad World”, “Kelly’s Heroes”, “The Ladykillers”).

I hate when the villain is a corporate toady or a mindless soldier. We are surrounded by business owners who are compassionate contributors to our society. We know men and women in the military who are intelligent, kind, and spiritually deep.

I love intimate, tight, even claustrophobic environments. I love stories where the magic or horror could be playing out next door and you’d never know it.

That said, not crazy about home invasions or serial killers. I like plausible, not Torn From Today’s Headlines.  That’s my quirk.

I love a well-written fight scene. Noir has them. Horror does okay by them. But Fantasy fights read like diagrams from Black Belt Magazine. Even martial arts experts will tell you that fights are bloody, clumsy, and usually stupid. Think of a fight you’ve seen. Was it a ballet of violence? Or a rugby scrum with livestock?

I hate that as I write this I have the voice of some grumpy old soothsayer going off in my head. Harlan Ellison. Or just about every other genre columnist who is 50+ years old. Can’t wait to pontificate in a voice I can call my own.

I love all-you-can-eat Chinese Buffet. Just saying.

 

 

 





First Draft Done, What I Have Learned, and Publishing Coaches

30 11 2017

This will be  my usual post about writing, terse yet rambling, with some sundry crits at the end of movies and writers who have caught my brain.

doggo

So! Finished with draft one of Lampreyhead at 25K words. The world building was fun. The story is set in contemporary Philadelphia because I know the Northeast US well. Religious aspects appeared, were inevitable really, which added a whole new layer to the characters and conflict. The jokes are good. There may be one darling, but we’ll see if it survives (the “moist” joke I posted on my FB three weeks ago.)

How did I write the draft and what did I learn? I did a bit of an outline, but it was way too spare. I discovered a good way to outline a few weeks ago, but I also discovered that very few writers enjoy writing outlines or synopsis.  New method for outlining is like the Snowflake Method of writing novels: one line summary of each chapter, then add three lines to each summary, then add three more lines to each of those lines, etc. I’ll try to do that next time.

So, with what I thought was an adequate outline, I used Rachel Aaron’s method of speed writing, so I wrote the fun scenes first and backfilled the remainder of the plot. Writing the filler was not only a bit tedious, it exposed the gaps in my outline. Writing the draft took longer than it needed to, but this is how we learn.

I had a tough time getting a grip on the protagonist. I had behavior for scenes, I had previous short stories, but I didn’t have a deeper character profile that could support this work.

I kept his nerdiness and built around that. I considered that LH was 700 years old and that he would be a little bored. Being made Evil, he knew there is a God because religious items caused injury. However, I had him go 700 years without knowing who made him or why. His problem became the reverse of Mortality: is there a Satan to justify his existence?

Supporting characters fulfilled their functions, but they need more depth in the second draft. He meets the werewolf who will be a recurring character in the series, but the were doesn’t have a lot of agency. The Mortal in this story (needed to help bring out the supernatural world-building) became a sophisticated businesswoman thrill-seeker; can I pull off this complicated character?

I was hoping to market this series as “Erotic Paranormal”, but I have no experience in writing erotica. Besides, the plot only has one valid erotic scene. I’m now looking at the humor market.

I have to finish the second draft for my writers group, that deadline being Sunday.

I learned about Publishing Coaches on the Science Fiction and Fantasy Marketing Podcast. My research has provided a couple of names and I will be contacting them tonight.

Recent discoveries: the movie “The Devil’s Candy” is a pleasant throwback haunted house horror that’s well made. “The Midnight Meat Train” squandered a great production on a weak Clive Barker story. “Cult of Chucky” still camps it up, but keep an eye on Fionna Dorrif, because she is excellent. Belgian horror “Raw” takes your unsettling French moodiness to a college for veteranarians, but worry not, the animals are safe from the cannibal sisters. “Demonic” takes ghost hunters to a haunted house, but even Maria Bello can’t save us from a flat ending.

 





Learn Writing From Wince Inducing Comments About “Blade Runner 2045”

9 10 2017

There is nothing wrong with loving without qualification. It opens your heart, lowers blood pressure, extends endocrine life, whatever. As I seem to be a wet blanket with in rare exceptions, I rarely have that rosy glow of fan-a-vision to distract me from a media’s problems.

How do we know that rosy glow of fan-a-vision is blocking our critical eye? Have you used these phrases?

“It was fantastic for the first two parts, but fell apart in the last third.” The last third of anything falls apart because of the first two parts. A resolution falls apart because the conflict had flaws. In Blade Runner 2045 (BR2045), the world was so complicated it stumbled over itself.

SPOILERS ON

Let’s work backwards: The MacGuffin chick was going to procreate and lead the Replicants…with a immune system that makes skin-to-skin contact impossible. Deckard’s body wasn’t going to be found…in a world where a drone can locate a box buried 30 feet. Quasi-Rachel had the wrong color eyes…after Jared Leto could have double-checked her DNA off the original’s skull. There’s more, but I’m bored.

SPOILERS OFF

You’ll note that none of these details had direct bearing on the plot. The immunity, the location technology, the skull, were all details which could have easily been fixed. But the plot was so damn complicated, the details tripped up the cohesion. One can overlook a few sparkles, but in a 2 hour 40 minute film, the sparkles become a haze.

“The artistry of (actor/director/whoever artist) stood out.” In a work of art, nothing is supposed to be a darling. The previous comment was applied to Jared Leto’s villain. Jared Leto did a great creepy job. He was a great creep. He had to be exceedingly, noticably creepy, because the script gave him absolutely nothing else to do but sit and be creepy. In the first BR, the genius scientist played chess, day-traded stocks, explained genetics, and was understated in creepiness. (In real life, company CEOs are dynamic and involved with their corporation.) Here in BR2045, Jared Leto had nothing to do except two acts of ewww, forcing the director to have Leto overact. Again, a weak script.

“Such a beautiful movie!” How much money was spent on this movie? It better damn well be pretty. Again, dazzling doesn’t help a weak script.

You know how you’re not supposed to let your darlings in, no matter how pretty? The Rachel’s Eye scene could have been a flat-out rejection of artifice instead of eye-color. The Zen CEO could have been deleted and the heavy lifting given to his henchwoman. McGuffin Chick could have been healthy.

All of those fixes would have smoothed out the wrinkles in the plot. But man, their scenes sure were pretty, SFX laden set-pieces.

I’m guessing this movie will fare better than Prometheus in movie history. But not by much.

Use darlings sparingly and avoid screwed up plots.

 

 

 

 

 





Colonel Sanders and the Demonic Lover

1 06 2017

I love the conjunction of genres and the taming of monsters that occurs in paranormal romance, and much of OGOM’s research centres on this. The demon lovers of paranormal romance range from vampires (of course), through faeries, angels, and werewolves; the odder candidates include mermen, gargoyles, and even ghosts and zombies. But the monstrous lover…

via Colonel Sanders and the Demonic Lover — Open Graves, Open Minds





Horror Movies With Dark Endings

29 04 2017

What separates a good horror movie from a great one is the ending. Some horror films just don’t know when or how to end. But when a horror flick gets the ending right, then you have something really special. And by “right,” I mean dark and/or disturbing. But be warned: … Read More… The post…

via Horror Movies with Dark F*ucking Endings!! — AnythingHorror.com








%d bloggers like this: