Writers: How I Wrote My Novella Series

26 09 2018
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CAKE OR BEER? IN TIME, I SHALL HAVE BOTH.

The three books of “Lampreyhead” are now uploaded on Amazon. A year ago, I started writing Book One. Through last Winter and Spring, I wrote Books Two and Three. I hired a cover artist, then had to hire another, and learned formatting for CreateSpace (RIP, now merged with KDP) and Kindle.

Part One! The Writing!

Peering from this site banner is Ned Winter, the protagonist of my new series “Lampreyhead.” Ned is a failed vampire prototype. The approved vampire prototype, Dracula, brought three separate bites with three separate nights of sexual ecstasy. Ned fastens on for three days straight, bringing a three-day long orgasm.

I had this “vampire prototype” joke floating in my head for almost twenty years. I wrote two  “MAD Magazine” style short stories where Lampreyhead was like Jerry Lewis’ Nutty Professor character, then set him aside. I wanted to write a novel about him, but the character wouldn’t work for a longer piece.

The problem with an over-the-top character is that once started, there is no room the nuance needed to sustain a longer work. The style and tone wear the reader down and eventually the humor becomes boring. To make a series, Ned needed a character arc.

I tore down the old Lampreyhead and built a new one.

I started him in modern Philadelphia USA because I know and love this area. How did her survive the centuries? How else? He’d been a gigolo since the 1400s, keeping a low profile from the church and the law. I needed him to be an underdog, so I held to the most oppressive myths regarding vampires: no silver, no sunlight, all holy objects causing spiritual agony or physical injury.

Then I took away most of the vampire perks. No transformations beyond turning into a seven foot parasitic fish. No control of lesser animals. Ordinary hearing and sight. I started feeling sorry for him, so I kept him notably stronger than humans.

For me, the big question regarding vampires is this: why would they be any more accomplished than humans? If I could live forever, would I become a violin virtuoso? Would I even pick up a violin? I lived for six years in a house that held the entire Great Books Series and I had no interest in broadening myself. I think I represent most average humans. So I made Ned not so much a slacker, as someone who settled into a decades long routine. He had no ambitions, but he also had to survive, and the birth-death cycle of mortals broke his heart.

Heart? This vampire has a heart? Yes, unlike the other prototypes, Ned has emotions.

Which gave his story a great new dimension. Most people worry about whether God exists because they see no conclusive proof. All Ned has to do is go past a church and he can feel God’s existence, but God Doesn’t Like Ned. Centuries of this knowledge would wear on a guy.

So I had a sympathetic character struggling to distract himself from his emptiness and wondering at the universe through The Fortean Times and astronomy.

I started the first book with a date. Ned has a date with an affluent, debauched woman. Ned would be well-practiced at concealing his transformation through an absolutely dark hotel room. Because he’s compassionate, he would prepare room service to have food and water ready at the door for “after care”. I threw in some lingerie, but the scene didn’t have much purpose beyond titillation.

Ned then goes to his usual diner to sit all night reading magazines. His routine is interrupted by an old friend and fellow prototype, a character of particularly gruesome nature, Gustav.

Gustav serves three purposes. He gives the reader an idea of what a horror Ned could have been and could still become. Gustav provides information that transforms Ned’s life. Gustav is a toddler with a fanged, prehensile umbilical cord. I love Gustav.

This brings Ned to a journey that is part horror and part slapstick.

Here was the problem: this left callow Ned to process these events on his own. Ned had no moral compass beyond “do as little harm as possible and survive.” He lacked the ability to distinguish Evil.

Remember his date? He still had her phone number. So I had him call her.

That’s how a throwaway character became the protagonist’s confidant for 90K words and still going strong. To grease the skids, I rewrote so that she saw Ned transform during their date. Why wouldn’t she freak out at seeing Ned attached to her? I made her a thrill-seeker also looking for answers through the supernatural.

My favorite TV show has always been “Kolchak”. One of my second favorites is “X-Files” but ONLY the “Monster of the Week” episodes. I wanted to do MotW books where Ned encountered and fought the rest of the vampire prototypes (now called the Formulae).

My research showed that a series needs a plot arc for it to be satisfying for the reader. I’ve tried to split the difference. Ned fights pretty cool vampires while picking up clues about Satan, Hell, the Apocalypse, and Magick, with an eye towards his future development.

Next time, the Editing Process.


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