The times being what they are, a lot more dystopias have been popping up in media. Lately, I’ve noticed these new dysfunctional societies have these things in common:
- Centralized planning, both economic and political
- Industrial efficiency valued more than privacy
- Poverty
- No distractions like sports, art, holidays, contests.
- Discrete cannibalism
Maybe it’s just me just cherry-picking, but it’s what I’m noticing. Here’s an example from Pseudopod: “Meat” by Sandra M. Odell.
That this is a short story makes no difference in world building. A word here, a phrase there, adds to the fleshing out (sorry) of the environment and adding to the reader’s ability to relate without detracting from the plot.
For me, a pared-down dystopia is unbelievable.
Consider the archetype for the dystopic story, the novel “1984”. Grungy, war-weary, and soul sucking. Yet it had the very basics of distraction. There was music. There were museums and newpapers. There were viewscreens. All of it was government approved, sure, but it took the proles minds away from their drudgery, and made them more efficient for the long haul.
There were pubs and perhaps illicit drugs. There was a lottery with announced winners (invented prizes for invented winners, but still, a distraction). There was chocolate, weak and smoky in flavor, which makes me assume there were spices, so maybe a culinary culture for homemakers.
Why do I find these distractions important? Without these distractions, the citizens would very quickly go insane.
Now, insanity is a further opportunity for worldbuilding. Cultures have their own, distinct neurosis in response the culture’s environment and social pressures. These neurosis are called “culture-bound syndromes”. We know about amok , a murderous rage found in Indonesia (and source of the term “to run amok”). What of taijin kyofusho in Japan, which makes a citizen so afraid of making social blunders that he refuses to leave his home? A disorder among the Inuit called piblokto is thought to be caused by both isolation and Vitamin A deficiency. Last, we have the origin of hysteria in Western Europe, first defined as a woman’s disorder which caused emotional excess leading to rebelliousness.
A dystopia would have any one of these, plus oppressive treatments for their removal.
Note in “Meat” that there are “crazy heads” who are condemned to “Processing” and that the protagonist herself has a rather nifty psychosis developing for solid social reasons. Well done there.
I know you’re asking “what about the cannibalism”?
I’m wondering if a reader could still relate to an industrial dystopia where cannibalism is considered a duty. In “Logan’s Run”, killing people off at the age of 30 was sanctified by a supernatural “renewal” ritual. There are primitive societies where eating enemies or the brains of deceased relatives was encouraged, the latter creating a culture bound syndrome (subject of the X-Files episode “Kuru”). What would it take for your closest city to dig in?
Did “Soylent Green” have side-effects?
What dystopia strikes you as believable? How messed up is it?
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Fucking Austrians with their fucking prancy-dancy minuets.
