Writers: Easy Plot Twists To Avoid (Or Cynically Exploit)

21 09 2018

From Cracked.com: 14 Plots That Are So Predictable You Can Diagram What Comes Next





Writers: Supercharge Your Protagonist

13 09 2018

I haven’t been posting my own comments for a while due to my finishing the first three Lampreyhead novellas (now 90K words total). I’m getting the cover art back from my back-up artist (more about that in a later post). I’ve gone through alpha and beta critiques. I’ve got a launch and sales plan together (another post on that, I promise).

Now, I am trying to write a sequel to “The Flesh Sutra”. Last year, I tried but after almost two drafts at 80K words, I realized I was trying to cram in too much. Did I want a clever revenge horror like Dr. Phibes? Did I want a claustrophobic haunted house like The Haunting of Hill House or something more over the top like Hell House?

Heck! I decided to go for all three and man it went nowhere.

Now, just as I start this next draft, two articles caught my eye and I find them really useful.

This one talks about types of “Leading Characters” with a concentration on Noir tropes. Olivia and Alex fall within the Negative Leads very well, and James Scott Bell at Kill Zone is helping me narrow down which plot type I want to use.

This other post is by Adam-Troy Castro, award winning author of everything from intense and stylish horror to the Gustav Gloop YA series. After 30 years of writing and submitting, I have just begun the character structures Adam so easily describes in his first paragraph. Who would suffer the most? What would a unique character do in an unsuspecting world?

The articles will seem basic to some, and I probably ran into the advice many times before. But the timing is fortunate now and I can use it to best effect in this sequel.





Writing a First Draft — Heroic Technical Writing: Advice and Insights on the Business of Technical Communication

8 09 2018

One of my favorite things to write in any job is a first draft. The blank piece of paper or the blank screen with the flashing cursor seems to taunt some people. If you’re someone who dreads writing the first draft of anything, let your happy literary explorer take this opportunity to share his insights.

via Writing a First Draft — Heroic Technical Writing: Advice and Insights on the Business of Technical Communication





The Best Piece of Writing Advice I Ever Received — A Writer’s Path

4 09 2018

by Meg Dowell You don’t know which projects are going to succeed, and which ones are going to fail. Many people assume that because I’ve been writing for a long time, I now do so professionally, and I give advice on my blog, I’m the expert who knows it all. And with that […]

via The Best Piece of Writing Advice I Ever Received — A Writer’s Path





Serial Killer In Your Town? A Resource For Writers

3 09 2018

The Murder Accountability Project has gathered more unsolved murder cases than the FBI. They have a comprehensive, interactive website detailing murder clusters around the US.

 





Writing Tips: Kill Your Darlings — Writing Forward

30 08 2018

Kill your darlings: letting go of good writing. Kill your darlings. It’s a common piece of writing advice, but what does it mean? I once thought that “kill your darlings” was strictly for storytellers. I even wrote about killing your darlings in storytelling. But this piece of wisdom has broader applications. It can be used…

via Writing Tips: Kill Your Darlings — Writing Forward





Stuck with Your Story? Why You Keep Hitting Walls and Dead Ends in Your Writing — A Writer’s Path

27 08 2018

by Lauren Sapala For the longest time I had major problems doing revisions on my writing. It seemed so easy for everyone else. Why was it so hard for me? Of course, I also had trouble writing. I hardly ever experienced that state of “effortless flow” everyone talked about, in which the words […]

via Stuck with Your Story? Why You Keep Hitting Walls and Dead Ends in Your Writing — A Writer’s Path





New Fave: “Spooked” by NPR

25 08 2018

spooked

How does a story seem “real”?

How can you tell if a story is “true”?

Part of it is the structure. If someone tells a story that they swear is true, yet that story has three-beat escalation and a clean conclusion straight out of “Save The Cat”, then I’d say that someone is embellishing. Fiction has to have a pattern for it to engage our emotions. Real Life is messy, confusing, and often has conclusions or realizations decades after key events.

This is a podcast called “Spooked”. People have contacted the producers with their experiences of the supernatural. There is some great stuff here. Some stories are obvious BS (“Time Warp Saloon” in the ep “Lost In Time”). Others have been embellished (Tale One of “Creepy Crawly”). But others have that off-key clang of truth that gets your imagination moving. Try “The Iron Gate”, the second story of “Creepy Crawly”, or any of “Borderlands”. Really, try any of these episodes and get your creep on.





Why Are Men So Terrible at Writing Female Characters? — K.L. Kranes, Writing Reading Life

24 08 2018

Please, please, someone show me a man who can write a good female protagonist.

via Why Are Men So Terrible at Writing Female Characters? — K.L. Kranes, Writing Reading Life





How to Prepare to Work with Beta Readers — Writing Forward

21 08 2018

Beta readers are people who read your manuscript before you polish it for publication or submission to a literary agent or publisher. Unlike editors, beta readers are unpaid volunteers who provide feedback that you can use to make improvements to your work. 1,339 more words

via How to Prepare to Work with Beta Readers — Writing Forward








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