timwburke

SPOILERS!

Peele’s movie has two stories brought together to make a theme. He swung for the fences with both stories, but having them together messed up the momentum of both. Their tension did explain the motives of characters in both (OJ explains Jean Jacket’s asserting its dominance, matching the chimp’s attack; while Jupe’s awe at bumping fists with the gore-covered chimp explaining Jupe’s later fascination with Jean Jacket). Peele used Tarrantino cinema style to create this Hollywood story, using graphic placards, time jumps, sudden slams to black, but the spine of this movie was weak. There was no impending doom like in “Inglorious Basterds” or “Once Upon A Time In Hollywood”. The doom created impetus to keep watching while any digression was welcome relief to the presumed fates, those fates of course being twisted into the unexpected.

The cinematographer Antlers puzzled me. He was a foil for the protagonists, but his spiritual rumination seemed an attempt to add both humor and gravitas. Perhaps he was meant to harken to an earlier age, in that the video tech maybe represented the entertainment of today, and Antlers the passions of yesterday.

Maybe get rid of the video tech and have Antlers be more contemporary. One less character to juggle. Still have the surveillance gear and Antlers reverting to his antique film camera in the third act.

Let’s consider that Jupe’s encounter with the murderous chimp led to his wrong-headed trust of Jean Jacket. Let’s consider that Jupe had already brought horses for Jean Jacket to eat over several nights. Let’s consider that the second scene Jean Jacket has fed on screaming humans and their detritus plummeted onto the ranch to kill O Sr.

Maybe Jupe could have enticed some unhoused people to where Jean Jacket could eat? Jupe could have watched the chimp being trained and believed the monster could be tamed. So, finally, in the third act, Jupe could lose control and Jean Jacket could still eat everyone, and that event could have more impact.

Because this movie is filled with a lot of action, but aside from Brother and Sisters’ story arc of fidelity, there isn’t much here to care about. Forty people are eaten, as are a family of five, two additional supporting characters, several horses, and unseen other people, and frankly not much is made of it.